Blue is the warmest colour graphic novel

SheвЂ™s distant, absorbed by her work, doesnвЂ™t respond to AdГЁleвЂ™s offer of a cup of coffee. Somewhat inexplicably, Kechiche shapes a few scenes in order to blame Emma. This lack of sex is what drives AdГЁle to cheat, with a man.

They fight after a party and then stop having sex. Pacing alongside these silent voluptuous bodies, AdГЁle and Emma barely speak.ДЄnd, in spite of the filmвЂ™s length, very little time is put into expressing how these two grew apart.

When they go to a museum together, the camera obsessively chronicles the female nudity in the art on the walls, with a special focus on the shapely posteriors of the classical statues. Despite his insistence on AdГЁleвЂ™s intellectual pursuits at school in the first third, Kechiche makes sure that she is uncomfortable and disinterested around EmmaвЂ™s artistically inclined friends. They have nothing else in common, at least not that we can see. Their relationship is, for lack of a better term, a few years of hot action. But as things move forward, none of it becomes more nuanced. The sex scenes are long, rich, and very prominently displayed. This makes sense, in the beginning, because AdГЁle is discovering herself. Emma and AdГЁleвЂ™s relationship in the film is entirely about sex. The character of this sexuality is the greatest point of divergence. Both Maroh and Kechiche use explicit sexual imagery, though the film has an awful lot more of it. Maroh doesnвЂ™t name it as inevitably doomed, as Kechiche does, but the break-up does arrive under similar circumstances. AdГЁleвЂ™s journey from the confusion of high school to EmmaвЂ™s arms is roughly the same, as is the arc of their relationship. Other than that, however, the plot is mostly the same. The dual narration of the novel, switching between EmmaвЂ™s memory and ClementineвЂ™s journal, has been switched to a linear narrative with a single protagonist. AdГЁle is the beginning and end of the film, rather than Emma, and she does not die. In KechicheвЂ™s film this framing device is discarded. EmmaвЂ™s reading of this private record, upstairs in her lost loverвЂ™s bedroom, sets off the story proper, all of which is told in flashback. Yet, according to AdГЁleвЂ™s wishes, they have saved her journals for Emma. Emma goes to pay her respects to ClementineвЂ™s parents, who still have not accepted their daughterвЂ™s relationship with a woman. The love of her life was Emma (LГ©a Seydoux), whose name Kechiche keeps. MarohвЂ™s book opens just after the death of Clementine, who in the film is renamed AdГЁle (played by AdГЁle Exarchopoulos). It would just be nice if he took women in general, and queer women in particular, a little more seriously.Д«ut letвЂ™s not get ahead of ourselves, and start with the concrete differences between the graphic novel and its film adaptation. No filmmaker is obligated to replicate the exact character of the work theyвЂ™re adapting. Kechiche, meanwhile, has hardly felt the need to defend his directing choices. The former, author of the original graphic novel, has made her criticism of the film adaptation quite clear. At this point, five months after the world premiere of вЂњBlue Is the Warmest ColorвЂќ at the Cannes Film Festival, I would hazard a guess that Julie Maroh and Abdellatif Kechiche do not like each other very much.

Blue is the warmest colour graphic novel